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She walked in soaked, ignored, and judged—then pointed at a painting and said, “That’s mine.”
I had no idea then that believing her would turn my gallery upside down.
My name’s Tyler. I’m 36, and I run a small art gallery in downtown Seattle—quiet, warm, the kind of place that smells faintly of wood polish and jazz. I opened it after my mom died. She was an artist. I couldn’t paint after losing her, so I built a place for people who still could.
Before I could decide what to do, three regulars walked in—well-dressed, confident, sharp-tongued. The moment they saw her, the whispers started.
“She doesn’t belong here.”
“Look at that coat.”
“Can you get her out?”
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