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Rachel released the brakes with deliberate care, making sure every movement communicated respect rather than control, and guided him toward the dance floor as the orchestra softened its tempo almost unconsciously, the room adjusting itself to what it was witnessing even before fully understanding it.
They moved together slowly, the rhythm measured, Andrew steering when he wished, Rachel matching him rather than leading, and as they circled, the conversations around them thinned, curiosity giving way to something quieter, something more attentive.
“And now?” Rachel asked gently.
“Now the noise stops when I enter,” he replied.
“People don’t know where to look, so they look away.”
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